Synchronic : Using Synchronic : Synchronic Effect Edit Mode : Synchronic Noise Effect

Synchronic Noise Effect
Noise modulates the post-Gain signal with a noise source. There are three different Noise modes: Dark, White, and Brite, each with two variations (Osc or AM).
BEG and END Range (0–100%)
Use the BEG and END parameters to control the amount of modulation by noise. At 0%, there is no modulation. At 100%, the input signal is 100% modulated by the selected noise (mode), such that only the amplitude envelope of the input signal remains. Use the Range controls to set the amount of Noise effect that will be modulated by the LFO1 and LFO2 waveshapes.
LFO
Set the Waveshape and Duration for dynamic Noise effects. For static noise effects, set to Off.
*
LFO Waveshapes and Durations options are the same as those provided in the Playback module. See Low Frequency Oscillator (LFO).
Noise Mode
There are three different Noise modes: Dark, White, and Brite; each with two variations: a noise generator (Osc) or amplitude modulation (AM).
 
Dark
Modulates the signal with a low pass filtered form of white noise, using either an oscillator or amplitude modulation (AM).
White
Modulates the signal with white noise, using either an oscillator or amplitude modulation (AM).
Brite
Modulates the signal with a high pass filtered form of white noise, using either an oscillator or amplitude modulation (AM).